Into this stone, she has carved the names of some of the inhabitants of Cairnhead over the centuries, accompanied by motifs depicting objects that were part of everyday farming life. In the Byre’s lush meadow are carvings in slabs of Caithness stone which make up an informal bench. Impressed by the sense of a long line of changing lives taking their course in a relatively unchanging landscape, she set about devising inscriptions to celebrate the people who had lived in the valley. Stonecarver Pip Hall was fascinated by the human history of the place. Eight successive impressions taken from these in the course of the walk – which can be done by following Dalwhat Water either upstream or downstream – make up a Renga or circular poem and at the same time offer the participant a way into interacting with and observing the landscape.
They have produced subtle works which interpret the landscape and the people who have helped shape it.Īrtist and poet Alec Finlay has traced a truly beautiful walk which follows a course punctuated by eight letterboxes in which a stamp and inkpad can be found.
Two other artists with a sensitivity to landscape and place were commissioned to make work in response to the natural and human history of the place. people can now explore throughout the year. The sites were carefully chosen, reflecting Goldsworthy’s intimate knowledge of the landscape, so that from each of the hilltop arches, the other two arches would be visible, thus acting as markers in the landscape and interacting with the viewer and each other.Īrches are traditionally seen as doorways and in Goldsworthy’s other works this is definitely not the case, but here at Cairnhead, they do offer an entrance way of a kind an opening into a landscape which. The highest arch sits on top of Colt Hill at 598m, offering spectacular views of the surrounding countryside and a sightline of the other arches. Landscape is a very vigorous, powerful, challenging subject to deal with and people are very much part of it.” The physical journey for the walker from arch to arch and hilltop to hilltop the mental journey required when undertaking one of the more arduous walks and the very way in which the arches themselves can seem to journey through and with the landscape.Īndy Goldsworthy explained: “This work is about the social nature of landscape. Like the sandstone and the people on their journeys over the centuries, the arches parallel the viewer’s journey. Like the other single arches that Goldsworthy has made in Canada and the USA, this is totally self-supporting. In the heart of the glen, another arch springs from The Byre, a disused farm building, creating a place that is both sculpture and shelter.įormed from hand-dressed blocks of red sandstone from a nearby quarry, each arch stands just under four metres high, with a span of about seven metres high, weighing approximately 27 tons and consisting of 31 blocks. Three arches stride the hilltops around the natural amphitheatre that is Cairnhead. Now open for its first season, this hugely innovative, permanent artist-led project, created near Goldsworthy’s home, demonstrates his deep understanding of and engagement with the landscape and is unique to the UK. They offer a dialogue between structure and place and history and the landscape. Photographs: Mike Bolam, courtesy of Dumfries & Galloway Arts AssociationĪndy Goldsworthy’s red sandstone arches, stride the wild and unspoilt landscape of the Scottish Southern Uplands, creating a unique sense of place and interpreting a little known area of the country.
Work by Andy Goldsworthy in Dumfriesshire, Scottish Borders, Scotland, UKīringing people, art and the landscape together Striding Arches, Scottish Borders Landscape, Project, News, Design, Image Striding Arches Scotland : Andy Goldsworthy Design
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